Janet Jones - Monotype abstrait avec chine colle et gaufrage S/N

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Vendeur: modernartjones ✉️ (598) 100%, Lieu où se trouve: San Francisco, California, US, Lieu de livraison: US et de nombreux autres pays, Numéro de l'objet: 184278188876 Janet Jones - Monotype abstrait avec chine colle et gaufrage S/N.

  This artwork, titled "Aerial IV" c.1980 is a monotype with chine colle and embossing on heavy paper by noted Canadian artist Janet Jones b.1952. It is hand signed and titled in pencil by the artist. It is numbered “1/1-20”.  I believe this indicates the artist did 20 impressions of the monotype, and that no two are alike. There are three levels of paper. The printed part with a plate that measures 8 x 8 inches (9x9 inches the sheet) is on thin Japon paper. It is mounted to another thin pastel colored sheet measuring 12 x 12 inches. This, in turn, is mounted to heavy paper similar to Arches measuring 22.25 x 18 inches. It is in very good condition with some faint rippling on the left and right edges, and has never been framed.

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About the artist: Janet Jones was born in Montreal, Quebec in 1952. She received her BFA in painting and photography from Concordia University - studying painting with Guido Molinari and Yves Gaucher, and photography with the experimental photographer Suzanne Swibold.

 

Janet Jones is currently a Toronto based painter whose work has been exhibited across Canada, in Los Angeles, New York, England, Germany, France and China. Her recent projects include; the solo exhibition, The Dream Machine at Patrick Mikhail Gallery, Montréal (2017), two solo exhibitions, Playtimes (2015) and Joyride (2012) both at Katzman Contemporary Toronto, a national touring exhibition of her paintings, DaDa Delirium, with an accompanying catalogue (2011) with essays by Stuart Reid, Nell Tenhaaf and an interview with the artist by Georgiana Uhlyarik, and participation in the Empire of Dreams exhibition, MOCCA (Summer 2010) curated by David Liss. Jones has been a visiting artist in France, England, Russia, China, the Netherlands, and Cuba. Jones received her MFA from York University and her PhD from New York University in the area of art theory and criticism. Her dissertation titled: Clement Greenberg and the Artist /Critic Relationship, included interviews with Clement Greenberg, Jules Olitski, and other members of the ‘Greenberg Group’ and research gained through accompanying Greenberg on numerous studio visits. A Professor in the Department of Visual Arts, York University, Toronto, where she teaches painting, she has been Chair of the Department of Visual Arts and Director of the MFA Program in Visual Arts. Professor of Painting, Department of Visual Arts and Art History, AMPD, York University.

 

EDUCATION

 

1988    Ph.D. New York University, New York, NY.  Dissertation Title: Clement Greenberg & the Artist/Critic Relationship.

1979    M.F.A.    York University, Toronto, Ontario. Samuel Sarick Award

1977     B.F.A.    Honours, with Distinction, Concordia University

 

SOLO EXHIBITIONS

 

2017    The Dream Machine, Patrick Mikhail Gallery, Montréal, Quebec, October - December, 2017

2016    Recent Acquisitions from DaDa Delirium, MacLaren Art Gallery, Barrie, ON. March – July

2015    Playtimes, Katzman Contemporary, Toronto, March-April 2015.

2013    DaDa Delirium, MacIntosh Gallery, University of Western ON.

2012    Joy Ride, Katzman Kamen Gallery, Toronto, ON  September, 2012.

2012    DaDa Delirium, Art Gallery of Northumberland, Coburg, ON, April-May  

2010    DaDa Delirium, MacLaren Art Centre, Barrie, ON. 

2009   A Las Vegas State of Mind, Peak Gallery, Toronto, ON.

2009   DaDa Delirium, Curated by Stuart Reid, Tom Thompson Art Gallery, Owen Sound, ON.

2006   DaDa Flow, Peak Gallery, Toronto, ON.

2004   panorama Galerie Sylviane Poirier Art Contemporain, Montreal, Que.

2002   panorama, Artist Project, for Public,Cities/Scene Issue.

1996     Static Red Head Gallery, Toronto, ON.

1992    On Shifting Ground, Latitude 53 Gallery, Edmonton, Alberta. 

1991     On Shifting Ground Durham Art Gallery, Durham, Ontario.

                        Eastern Edge Gallery, St. John's Newfoundland.

            Definitely Superior Gallery, Thunder Bay, Ontario.

1990   Struts Gallery, Sackville New Brunswick.

1986    Fleur du Mal, S.L. Simpson Gallery, Toronto, ON.

1984   S.L. Simpson Gallery, Toronto, ON.

1980   YYZ Gallery, Toronto, Ontario.

            80 Washington Square East Galleries, NY, NY.

1979    Fine Arts on Markham: Toronto, On.

 

SELECTED GROUP EXHIBITIONS

 

2019  Radiant Energy: Janet Jones, Rita Letendre, & Doris McCarthy. McLaren Art Gallery, Barrie, ON. Curated by Emily McKibbon. March-June 2019. Essay Radiant Energy by Emily McKibbon. 

2018   Built to Play, FCP Gallery, Toronto, ON. Curated by Kelly McCray. August-October.  2018  Finis  Aestatis, Patrick Mikhail Gallery, Montreal. August- October.

  2018  Papier Artfair, Patrick Mikhail Gallery, Montréal, Featured artist. April.

2018  Up Close and In Motion, Rodman Hall Art Gallery, St Catherines, ON. Curated by Emma German. Jan.- March.

2017    Imposters, Katzman Contemporary, Toronto, ON. March - April, 2017

2016   The Triumph of the Therapeutic 2016, Patrick Mikhail Gallery, Montréal, QC., August - September, 2016

2015    Papier Artfair  15, Featured Artist, Katzman Contemporary, April, Montreal, QC.

2014    Summer Show, Katzman Contemporary.  July-August. 2014

2013    Collapse, Installation: Waiting for….Zabriski, Katzman Contemporary (For the Canadian Art Gallery Hop. October 2013)

2012    Toronto International Artfair 2012, Featured artist. Katzman Contemporary, October

2011    Celebrating Women Artists in the Permanent Collection, MacLaren Art Centre, Barrie, ON. March-April, 2011.

2011    At Home with Dystopia, Marine Contemporary, Los Angeles, Calif. Nov.-Jan.2010-11.

2011    Recent Additions to the Permanent Collection, Art Gallery of Northumberland, Cobourg, ON. Jan.-February, 2011.

2010   Empire Of Dreams, Museum of Contemporary Canadian Art, Toronto. ON. June-August, 2010.  Catalogue

2009  Cluster, Peak Gallery, Toronto, ON.

2007   Nuit Blanche,Bloor Night Light,  Projections and performance. Toronto.

2005   Cluster, Peak Gallery, Toronto, ON.

2004  The Ironic Turn, Museum of Contemporary Canadian Art Toronto, ON.

            Owens Art Gallery, Sackville, NB.

2003   The Ironic Turn, Faux Movement. Metz, France.

2002   The Ironic Turn, Kunsthalle, Erfurt, Erfurt, Germany.

1998    Project Room, Banff Centre for the Arts, Banff, Alberta. 

1997     Red Head Gallery, Toronto, ON.

1991     Nine from Toronto," Art Gallery of York University, Toronto, ON.

            Glendon Gallery,Toronto, ON.

1990    Nine from Toronto", Newcastle-on-Tyne University Gallery,

            Newcastle-on-Tyne, England. Catalogue

1986    Faculty exchange exhibition. Touring exhibition to cities in China. Catalogue.

1984    Anima(l): Koffler Gallery, Toronto, ON. Catalogue               

            Artists & Their Work" P.M.C., Toronto, ON.

1983    Attitude, C.N.E., Toronto, ON.

            Works on Paper, S.L. Simpson Gallery, Toronto, ON.

            New Drawings, The Drawing Center, New York, NY.

            Small Works, 80 Washington Sq. East Galleries, NY, NY. Curated by Marcia Tucker, The New Museum. Catalogue

 

PUBLIC & CORPORATE COLLECTIONS

 

2019 Museé d'art  contemporain, Montréal, Québec.

​2016   Schulich School of Business, Toronto, ON.

            Bergeron Centre, Lassonde School of Engineering, York University, Toronto, ON.

2015    MacLaughlin Art Gallery, Oshawa, Ontario.

2014    AIMIA, Head Office Toronto, ON.

2014    Bank of Montreal, Head Office, Montreal, Que.

2014    Dean’s Office, AMPD , York University 

2013    Department of Film, Faculty of Fine Arts, York University.

2013    Rodman Hall, Brock University, St. Catherines, ON.

2013    Bank of Montreal, Head Office, Toronto, Canada.

2012    Winnipeg Art Gallery, Winnipeg, Manitoba

2012    TD Bank, Head Office, Toronto, Canada.

2010    MacLaren Art Centre, Barrie, ON

2010    Northumberland Art Gallery, Coburg, ON.

2009   MacKenzie Art Gallery, Regina, Saskatchewan.

2008   Tom Thomson Art Gallery, Owen Sound, ON.

 

 

Selected BIBLIOGRAPHY

 

Le Vadrouilleur Urbain, Art Visuels, Montréal/Paris, JANET JONES - La Machine a Reves/ Patrick Mikhail Gallery, CA. October 12, 2017

 

Ratsdeville, le webzine de la diversité en arts visuels  the visual arts diversity webzine, 20/10/2017, Janet Jones @ Patrick Mikhail, The Dream Machine

 

Canadian Art Magaine, 'Must Sees', October 19th-25th, 2017

 

Rhodes, Rick. "Janet Jones’ Latest Canvases Pack Spatial Punch", Canadian Art Magazine online, October, 2012.

 

Reid, Stuart. DaDa Delirium, catalogue essay: "Silent Night Electronic Light: On the Paintings of Janet Jones", by Stuart Reid,

Director, MacKenzie Art Gallery, Regina, Sask. 2011.

 

Tenhaaf, Nell. DaDa Delirium, catalogue essay: "Outside the Comfort Zone: Paintings by Janet Jones", 2011.

 

Uhlyarik, Georgiana. DaDa Delirium, catalogue interview with Janet Jones. Georgiana Uhlyarik, Assistant Curator, AGO, 2011.

 

Anderson, C. “At Home with Dystopia at Marine Contemporary, LA”, The Huffington Post, Jan. 2011.

 

Nys, Shana. Review of Salon #7, Marine Contemporary, LA. WhiteHot Magazine, Jan. 2011.

 

Liss, David. Empire of Dreams: The Phenomenology of the Built Environment, catalogue essay. MOCCA, Toronto. Fall 2010.

 

Yvonne Lammerich. Viva Las Vegas, Review of DaDa Delirium, MacLarenArt Centre, Canadian Art Magazine, Summer 2010.

 

Dault, Gary Micheal. A Las Vegas of the Mind, Peak Gallery, Globe & Mail,Sept. 19,2009

 

Tenhaaf, Nell.“Review DaDa Flow, Peak Gallery, Canadian Art Sp/07.

 

Dault, Gary Micheal  “DaDa Flow, Peak Gallery, Globe and Mail,

 

CBC Arts News. “Canadian Exhibit Challenges European Conventions”, March 18, 2004.

 

Dault, Gary Micheal. “The Irony of Really Big Expectations” Globe and Mail, July 3,2004.   

 

Elke Kustner. “Ironie verbindet. Erfurt: Neun kanadische Kunstler” Thurginger Allgemeine, Erfurt, Germany, July 5, 2003.

 

Obst, Sylvia. “Kanadish Gegenwartskunst wird ihrem Titel             gerecht:”The Ironic Turn”, Ostthuringer Zeitung,  2003. Erfurt, Germany.

 

Fiedler,Peter “Sie sagen am Ast, auf dem sie sitzen”, Eifenache Presse, Thuringer, Germany. Saturday, July 5, 2003.

 

 

SELECTED GUEST ARTIST PRESENTATIONS

 

DaDa Delirium- Artist Talk, MacLaren Art Centre, Barrie, On. March, 2010.

 

Gallery Hop, Canadian Art Magazine, Artist Talk with John Kissack, in conjunction with exhibition, A Las Vegas of the Mind, Peak Gallery, Sept. 2009. 

 

DaDa Delirium,Artist Talk, Tom Thomson Art Gallery, Owen Sound, On., March 2009.

 

Painting Feminist Geography: Urban Drifts, Bauhaus, MFA Program in Public Art. Weimar, Germany, July,2003.

 

Multiple Ironies in Contemporary Canadian Art Conference, University of Erfurt, Germany, July 2003.              

 

Willem de Kooning Academy, Rotterdam, Netherlands, May 2003

 

Hogeschool, Rotterdam, Netherlands, May 2003.

 

Nowhere Everywhere.  Presentation of work, NASCAD, 2003.

 

Big City Residency, Banff Centre for the Arts, Banff, Alberta, Spring, 2000.

 

Women and Paint Residency, Banff Centre for the Arts, Banff, Alberta, 1998.

 

Latitude 53 Gallery, Edmonton, Alberta. Winter, 1992.

 

Eastern Edge Gallery, St. John's, Newfoundland. July, 1991.

 

Definitely Superior Gallery, Thunder Bay, Ont. May, 1991.

 

VISITING ARTIST / RESIDENCIES

 

Bauhaus, Weimar, Germany, July, 2003.

Hogeschool, Rotterdam, Netherlands, May 2003.

Willem de Kooning Art School, Rotterdam, Netherlands, 2003.

Banff Centre for the Arts, Big City Residency, 2000.

Banff Centre for the Arts, Women and Paint Residency, 1998.

Havana Artists' Union. Havana, Cuba, Fall 1993.   

Université Canadienne en France, Nice and Paris, France. 1993.

Slade School of Art - Graduate Painting Area, London, UK. 1992

Muchina Art Institute - St. Petersburg, Russia. Spring, 1992.

The Repin Institute, St. Petersburg, Russia. Spring, 1992.

The Moscow Artists' Union, Moscow, Russia. Spring, 1992.

The Central Academy of Art, Beijing, China, Summer, 1992

 

  • Condition: It is in very good condition with some faint rippling on the left and right edges, and has never been framed.
  • Size: Medium (up to 36in.)
  • Style: Abstract
  • Listed By: Dealer or Reseller
  • Printing Technique: Monotype with embossing and chine colle
  • Medium: Monotype
  • Date of Creation: 1970-1989
  • Features: Signed
  • Width (Inches): 18
  • Color: Multi-Color
  • Subject: Abstract
  • Originality: Limited Edition Print
  • Height (Inches): 22.25
  • Print Surface: Paper

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